Friday, September 1, 2017

The Craft: Characters Are Tools. Handle Them Accordingly.

Over at the main blog, I posted a follow-on to Razorfist's last video for Mad Max Month. I hit upon my chief objection, which is that George Millar lied to me. He sold a Mad Max story, where the story itself just had Max in its as some extraneous character that has no justification for being there at all (in narrative terms). This is a tell of fan fiction.

And, as much as folks want to believe otherwise, "fan fiction" is synonymous with "bad writing" for a reason. One of them is the insertion of characters that cannot justify their presence in the story's narrative, and that's what happened here.

Writing is a craft because there are such things as Best Practices. It is a body of knowledge that accumulates over time, can be learned, can be mastered, and improved upon by those masters. Best Practices arise through the repeated trials, errors, and successes that previous generations attempt and observe. They are passed on because they reliably, repeatedly, work; you might as well argue that gravity isn't real.

Which means that characters are tools, just like every other element of the writing craft, and as such you use only those characters that are required to execute the narrative properly. Surplus elements get the chop. Editing identify them, and revision culls them. Your characters are there to do things, and once their job is done you need to hustle them off the stage because they have no further authorization to be present in the narrative. You know this is true because you've seen, first-hand, what it looks like when a story doesn't do this.

That's why editors are are useful. Engage one if you are able to do so. Brian Niemeier's post today at Kairos addresses this very matter. Listen to them, learn from them; one of the most reliable ways to improve your craft is to heed your editor's reasons for revision. If you want to do more than dabble--if you want your writing to pay bills--then heed this and master your craft. Cut the fat, and that includes characters you do not need, and prosper.

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