Showing posts with label anime. Show all posts
Showing posts with label anime. Show all posts

Saturday, December 3, 2022

Coming And Going For The Week Ending 12/3/2022

New/Upcoming Releases:

  • Rick Partlow: Pirate Bounty: A Military Sci-Fi Series (Space Hunter War Book 1)
  • 365 Infantry: 365 Infantry #3 Debuts Electric Tales (more here), and please check back on Sunday for even more because they're launch the Third Quarter and you'll want to be there for what they've got.
  • Nick Cole & Single White Medusa: CTRL+ALT+REVOLT podcast 197 (here)
  • Antelope Hill: In His Own Words, audiobook version now available in addition to ebook and print (site); Lord Miles in Afghanistan, Paperback (site).
  • Aureus Press: Aegeon Science Fiction Illustrated: Issue 4 (link)
  • Cirsova Magazine of Thrilling Adventure and Daring Suspense Issue #13 / Winter 2022
  • Escape from Crescendo Station One by Justin Knight in Kindle and Paperback at Amazon.

Notable Videos:

Mercury Falcon continues to deliver good stuff. Grounding Harlock in the decade wherein he emerged, and properly attributed Matsomoto's influence on Space Battleship Yamato, is the sort of attention to detail I wish I would see as commonplace in video essays about media. He has not disappointed me yet.

A few months old, but worth a watch. I commented that Big-O is a reaction to Lang's Metropolis, which a comparison between the two supports as you have the protagonist occupying the same space between Head and Heart in order to resolve the conflict driving the story. His other videos on this show should be worthwhile.

Dave Stewart did another stream today, and you can count on nuggets of wisdom being found therein.

Wednesday, October 5, 2022

Razorfist Talks The Rise Of The Iron Age & Zeon Thirsts For The Strength Of Its People

The Excellence of Elocution cut a new Iron Age promo today.

Man are the gaslighters going into overtime attempting to maintain containment.

Ankle-biters come out of the wooodwork to go after independent upstarts, from #Comicsgate to #PulpRev and more beyond comics and literature.

Yes, Razorfist is right; this is a cultural movement and the seperate subsets are already seeing common cause and by so seeing they see the need to cross-promote across media and genre lines.

You'll find Iron Age Media here.

Oh, and on a side note, today is the day where--in Mobile Suit Gundam--Garma Zabi was not set up to die by his best friend Char Aznable because Char Did Nothing Wrong.

Which lead to the best Totally Not Hitler moment in anime.

Tuesday, May 3, 2022

Coming Soon: Combat Frame Z Strike XSeed!

Coming soon:

The Hit Mech Saga’s World-Rending Conclusion

Betrayed by their makers …

… their sole hope is vengeance.

Humanity reels from the disastrous Battle of Earth. Blamed for the crushing defeat, the Guardian Angels are branded as traitors.

Jehu, Dex, and Kaiser must make a daring escape to save their families from a resurgent terror.

To clear their names, they must lead the rebel ExSols they once fought.

But against the combined might of the UCP and the Ynzu, do even Angels have a prayer of victory?

If you like Halo and Martian Successor Nadesico, you’ll love Combat Frame Z Strike XSeed!

And here's the trailer:

Join Brian's newsletter to guarantee that you'll get notified of when the crowdfunding campaign launches. You can do that here. If you're late to the party, you can buy copies here and catch up.

Monday, November 29, 2021

Signal Boost: "Amaranthe Angels", Coming Soon From Yakov Merkin

The leading Israeli voice in Science Fiction, Yakov Merkin, has an announcement to make:

I figure that since it’s currently Chanukah, and that I just earned my freedom from quarantine, a good way to celebrate would be to publicly reveal my next project, which I plan to work on concurrently with Light Unto Another World.

So, I’m very pleased & excited to introduce to you all my upcoming manga project, Amaranth Angels.

Amaranth Angels (yes is also has a Japanese title because why not), is a sci-fi starfighter adventure inspired by military-esque anime such as Girls Und Panzer (though it’s decidedly not a sports story), and things like The Last Starfighter or even Star Wars‘s Rogue Squadron series (the book series, not the canceled/on hold tv show).

Girls Und Panzer is my favorite anime of all time, so I wanted to do something in a sort of similar vein (cute anime girls doing military-esque things) but in more of an adventure setting. And since my favorite parts of many sci-fi franchises is starfighter combat, the rest fell together pretty quickly. And it quickly became clear that a story like this needed to be told in a more visual format, a manga it became. The art will be done by Philip San Gaspar, who you might recognize as the artist who worked with me on Light Unto Another World. I’m really looking forward to working with him on this, and to continue working with him on Light Unto Another World, which isn’t slowing down at all.

So enough about why I’m making this manga. What’s it actually about?

In the year 2265, Earth is at peace. However, as humanity expands, gradually, out into space, many understand the importance of developing new starfighter technology–just in case there is something nasty out there. As a way to prevent countries from growing suspicious of one another as they develop new technology and fighter models, Performance Squadrons, which hold stunt flying demonstrations, simulated battles, and even competitive squadron-on-squadron combat–without live ammo, of course–became popular as both entertainment and a way to test and demonstrate new starfighter designs.

Despite being a little younger than average for a starfighter pilot, Saya Nishizawa is widely recognized as one of the best pilots in the world, and that skill got her a prime spot on one of the most popular and successful performance squadrons, the Amaranth Angels.

Due to a recent personal tragedy, however, Saya currently wants to be as far from a starfighter cockpit as possible. But a sudden crisis of a different kind is about to force her back inside of one as she and several friends, both old and new, find themselves stranded halfway across the galaxy, with no choice but to help a small alien starfighter squadron defend a key installation against a relentless, seemingly endless foe.

Saya and the others will each have to find a way to make the best of their new situation, and learn how to effectively work together, if they’re to survive and find a way back home.

You like cute anime girls? You like pulse-pounding starfighter combat? Expect a ton of both, along with just general fun, with a relatively large cast of characters.

You can find the rest, including additional concept art of one of the starfighters, at the blog post linked above. This looks like a good time, and I look forward to seeing what Yakov makes of this. Leave any comments on Yakov's blog; they do him no good here.

Sunday, November 14, 2021

The Business: "Combat Frame XSeed: SS" Is Live On Amazon!

Space is a graveyard.

They came to destroy us…

…Now they’re humanity’s only hope.

The Guardian Angels race home to confront a traitor. Instead, disaster forces them into a savage battle with an invincible enemy bent on Earth's annihilation.

Can Jehu Red lead his team to victory over a power even greater than their XSeeds? Or will humanity burn on the funeral pyre of history?

Click on the link to hit the Amazon page and order your copy. Available in digital for Kindle and in Paperback.

Thursday, May 20, 2021

Kentaro Miura, Creator of "Berserk", Dead At 54 & Why You Should Have Posthumous Plans For Your Work

If you're a regular here, then you already heard the news. If not, let me catch you up.

And if you don't read Japanese, then Dark Horse has you.

That's the start of a tribute thread by Dark Horse. Pursue as your leisure. Fans across the world in multiple places, across all media, have their own grieving rituals.

In typical custom, this news was kept under wraps for a time so that family may grieve in private before the official announcement. It is, as of this post, unknown what will become of Berserk as it is now unfinished. This has not gone unnoticed, and colleages of Mr. Miura have been implored to check in on their own health and make plans for postumous publication in the case of unfinished work.

Translated: Vinland Saga manga creator Makoto Yukimura wrote: "I just learned about Kentaro Miura's death. At the same time, my fans are tweeting about my health. Thank you very much. I will take care of my health and will surely complete the Vinland Saga series. I'm very shocked. I can't put it into words. It was a tremendous job. I think drawing was his life."

This is not an uncommon concern. The creator of Hunter X Hunter, Yoshihiro Togashi, has had similar concerns said of him as his audience doesn't want to see what has now befallen Miura's audience--and Ken Ishikawa of Getter Robo before him--happen unto him. George R.R. Martin has had such conversations, wanted or not- especially after fellow author Robert Jorden's death left The Wheel of Time unfinished.

And I can confirm that question I've had that put to me, and not just today.

This being a blog about writing and the business thereof, I think you can see where I am going here.

Yes, I do think that plans should be drawn up regarding what happens to one's intellectual property after one dies. If it is decided to finish any unfinished projects after death, then resources should be secured and a successor hand-picked and read-in before the fact so they can seamlessly take over if you are disabled or dead. It is uncommonly done because few authors--whatever the medium--ever reach a position where that is actually a practical concern.

This is no longer something that should be left for others to decide. Authors should presume, for these purposes, that their creations are valuable and therefore should make the necessary moves to protect it after they are gone. It does not matter if they are now or not; the future is uncertain, and more than a few authors' works didn't achieve any fame, popularity, or respect until well after the fact. Ceading control to someone with little or no incentive to heed your vision and protect it is how you end up with heirs selling birthrights for pennies or worse, and the resulting defilement that follows.

We do not know what will become of Berserk. It is entirely possible that it will be left fallow for a time, only to later get a new anime adaptation that fills in gaps--this was the case for the unfinished Getter Robo Arc--and that may not receive the desired positive reception. These decisions should be made by you while you live, and not left to others who may not care about them whatsover. It is a necessary part of the business, and too few of us are prepared for this. That has to be fixed, now.

Monday, March 1, 2021

Signal Boost: "Combat Frame XSeed SS" Now Live On Indiegogo!

The Dragon Award winner Brian Niemeier is back with the next episode: Combat Frame XSeed: SS!

For those needing the transcript:

Space is a graveyard

They came to destroy us ...

... Now they're humanity's only hope

The Guardian Angels race home to confront a traitor. Instead, disaster forces them into a savage battle with an invincible enemy bent on Earth's annihilation.

Can Jehu Red lead his team to victory over a power even greater than their XSeeds? Or will humanity burn on the funeral pyre of history?

If you like Super Dimension Fortress Macross and Mobile Suit Gundam, you’ll love the gripping continuation of #1 best seller Brian Niemeier’s Combat Frame XSeed saga! Back the project now and read the book before anyone else!

Featured perks include:

  • A digital copy of Combat Frame XSeed: SS for all backers! Need to catch up? That's OK. All perk tiers also include the new series' 1st book, Combat Frame XSeed: S!
  • Be in a Book: Become a canonical XSeed character!
  • Build-a-Mech: Make your mark on combat frame evolution with your own mech design! This fan favorite goes fast, so claim yours while availability lasts!

Back it now.

Brian's nailed the Real Robot subgenre, and successfully blended it with Clancy-style technothrillers and truly alien invaders from beyond. The campaign includes not only Perks to get you up to speed with what's going down in XSeed: SS, but you can get a full series catchup in ebook form very cheap. Take a look at the Perk list and you'll see that Brian's very good at getting new folks up to speed and delivers massive value for your money. This will be the 5th book in the series now, so you'll have plenty to read while you wait for the finished product to arrive in your inboxes, be it electronic or hardcopy.

Yes, I am one of Brian's editing clients, so I am biased in his favor, but one you read his work you'll share my enthusiasm for everything he's written. This is a sure bet. Back it today.

Wednesday, February 17, 2021

Signal Boost: "Combat Frame XSeed: SS" Coming Soon!

Dragon Award winner Brian Niemeier has a new installment of Combat Frame XSeed coming soon. Here's the teaser.

SPACE IS A GRAVEYARD

They came to destroy us. Now they're humanity's only hope.

The Guardian Angels race home to confront a traitor. Instead, disaster forces them into a savage battle with an invincible enemy bent on Earth's annihilation.

Can Jehu Red lead his team to victory over a power even greater than their XSeeds? Or will humanity burn on the funeral pyre of history?

If you like Super Dimension Fortress Macross and Mobile Suit Gundam, you’ll love this continuation of #1 best seller Brian Niemeier’s Combat Frame XSeed saga!

And if you haven't gotten into this so far, you can find the series to date at Amazon.

Wednesday, January 13, 2021

Signal Boost: Kamen America, Volume 3

Kamen America, a loving tribute to Japan's masked heroes mixed with the best of American superheroes, has had fantastic success in the indie comics world. Now back for a third go, a crowdfunding campaign is up at Kickstarter to make it happen. Get in on this; it's one of the best hero books around these days.

Friday, January 8, 2021

Signal Boost: Combat Frame XSeed: Illustrated Combat Frame Tech Guide

Now that there's four--soon to be five--Combat Frame XSeed novels out there, publishing a tie-in product for such a tech-heavy property becomes a viable project.

Dragon Award winner Brian Niemeier has done it, and to my knowledge he is the first independent author to do what otherwise is only done by Big Brand properties like Mouse Wars. This is the illustrated tech guide tie-in, and it will be a great addition to your bookshelf, especially when you go back to re-read the series.

I cannot overstate the importance of publishing this book. Independent science fiction authors are notorious for not fully exploiting the properties that they create, as they are often unaware of the full implications of the very technologies that make their writing careers possible as well as the spread of the core concept--Print On Demand--to things other than books, most relevant being merchandise.

Should you get a copy? Why not? All it does is add to your enjoyment of what you already enjoy. Don't balk at the price; look at the description. This is a coffee table book, 8.5" x 11" in size (i.e. a spiral-bound notebook), which is as good as Amazon's POD capacity allows, and not your standard 5" by 8" or 6" by 9" novel. If you've been looking to use a tabletop RPG or wargame ruleset to play XSeed scenarios then this book is your huckleberry, especially if your ruleset makes it easy to convert real-world measurements into game terms (as Mekton Zeta and Dream Pod 9's full build system for Jovian Chronicles does).

If you want a copy--only available in paperback--click on the image and it will take you to the Amazon store page.

Saturday, October 10, 2020

The Super Robot As Heroic Icon

The Super Robot, as a concept in fiction, uses the same narrative structure as a superhero. This also means that its roots are the same: mythology. The biggest icon of Super Robots--Mazinger Z--explicitly acknoledges this fact at multiple levels. The name means "Devil God", the catchphrase is "I can be a god or a devil" (refering to the robot's power being subordinate to the pilot's morality), the origin story involves Ancient Greece, several villains are re-imagined gods or monsters (not just Greek), and the 2009 retelling (Shin Mazinger Z: The Impact!) even has Zeus appear as both an ally and a material source of the title robot's power (coupled with the fictional Unobtanium power source, Photo Power).

You see similar use of mythological motifs, themes, etc. with all of the successful and enduring Super Robot properties. It's not just because they were early; Tetsujin 28 was even earlier, but nowhere near the juggernaught status that Mazinger Z attained. No, it's because they embraced the mythological roots and used them to tell as powerful a story as they could. In time, Super Robots attained an iconic status that few Real Robots match- and one of those Reals, the RX-78 Gundam, is a retooled Super design.

The Super Robot is not a prototype for a mass production design. The Super Robot is not a customized machine for an ace pilot. The Super Robot is a heroic icon in its own right, and the pilots that sit in its cockpit are the partners it has in executing its core mission. In this respect, the Super Robot is a technological manifestation of the Iconic Hero and his Core Ethos: Mazinger Z is the premiere warrior defending Mankind from the evil traitor Dr. Hell and his horde of Mechanical Beasts (or later the reborn Mycenian Empire under the Great General of Darkness). Getter Robo is the Champion of Life against all that oppose it and its chosen species: Man. Grendizer is a Superman figure defending Earth from the aliens that destroyed his homeworld. You get the picture.

If you think this would not be willfully wielded for deliberate effect, you would be sadly mistaken. If you then think this cannot be so used for good ends, you're doubly-mistaken.

In the far future of Galactic Christendom, this knowledge was not lost.

The Church, knowing how Mankind thinks, used breakthroughs made in the City of God to make real the fictional Super Robot of pre-Cataclysm popular culture. This was not a thing done out of whole cloth. It was a new form of the same use of iconography and psychology that lead to the early post-Cataclysm efforts to contact survivor communities and begin to knit them back into a greater whole, originally called "Project Gandalf (after the Wizards of Middle-Earth and their mission).

As the Dark Lords revealed their true forms and more of the Nephilim stepped out of the shadows, the pre-Flood abominations also stepped out and the survivors--and later, their children and grand-children--saw things in terms dervived from pre-Cataclysm entertainment: Kaiju, Titans, Mutants, Dragons. It took time for the legendarium of old to reassert itself, and as destruction is swifter than healing the Church had to use the language at hand to deal with the issue.

Giants require giant-slayers. Monsters require monster-slayers. Terrifying monsters require heroic warriors to slay them, and--and this is critical--be seen doing it. Men need to be reminded generation after generation that monsters can be slain by ordinary men because there is a constant flow of new generations that come forth and need to witness this truth to comprehend it. Heroic icons, therefore, have a lawful purpose on multiple levels.

This is why the Super Robots exist, and why they are so powerful: they are the heroic icons that go forth to face the monsters that threaten Mankind.

The breed of men that mount up, get in the cockpit, and go forth must be the very best available and not just in strength of limb, but of heart and soul also. Those men made the difference with the early models of Super Robot, and as the reconquest of Earth turned into the Liberation Crusades that pushed the enemy off-world and then out of the solar system the model for not only the Star Knights but of the various noble houses was made and struck.

The Super Robots would go on to become the icons of noble houses, giving them an anchor for the identity of entire nations. They would define the Church's elite heroes. They would be more than just great war machines, but achieve the full morale-boosting power and narrative weight that their iconic status enabled- and so would those chosen to pilot them.

Saturday, July 20, 2019

The Business: Breaking Out Of The Ghetto

Dragon Award winner and nominee Brian Niemeier (and my editor) put this out on Twitter today.

He goes on to talk about the necessity to read the people who could be part of our respective audiences, but haven't found us yet. In short, visibility and discoverability. In both respects, these are issues of marketing that most of us as authors are ill-equipped and ill-mannered to handle without going through some painful shifts of mindset. These are also issues that are too big for any one of us to handle by ourselves, despite some of us trying valiantly to do so (and to far better success than you'd think), so we have to get over this atomization and come together to be a team.

This is going to involve reaching out to people who are not authors, not publishers, not even in the business we're in at all. Instead they're in the businesses that get to those unaware audiences, but are already friendly to us for one reason or another; they're our readers, our friends, interested allies intervening for their own reasons, etc. Maybe they're celebrities with compatible followings (e.g. Adam Baldwin, Dean Cain), or they're connected to a bigger media outlet looking for fresh material (Bandai, esp. your team for Super Robot Wars, looking at you). Artists looking for clean material for their portfolios mutually benefit by working with us to make covers, posters, etc. for our properties- and I know as well as you do how often people do judge by the cover alone.

Fortunately we have the means to brainstorm how to go about this in real time now, try solutions, see what works, and then implement working solutions quickly. Let's get to it.

Friday, June 7, 2019

Star Knight, Book Two: First Draft Begins

Now that Reavers is in the wild, and I am home from hospital, it's time to start putting words down for Book Two. No, I don't even have a working title yet--unlike Book Three, which does; it's "Red Eye's Revenge: The Siege of Second Salibury" and will likely get chopped down before publication. I'll figure that out as I go. What I do have is a working outline for a draft, which I want to bang out over the next few weeks and then get before some other eyes before I revise and rewrite.

I mentioned some of the things that Book Two will have at the main blog a few days ago. I'll repeat them here.

  • Jack and Roland's rematch, fighting a sword duel in freefall over Mars.
  • Oklahoma and Revenge going head to head, not-Yamato facing off against not-Arcadia.
  • New mecha designs.
  • An assault on Mont-Saint-Michael, Lord Roland's home.
  • The debut of Sibley's wife, and Creton's mother, Henrietta.
  • More intrigue by our mastermind villain to manipulate events to serve his ends.

Let me expand on a few of those points.

Mont-Saint-Michael, besides being a real place and a fantastic visual reference, reminded me of watching Go Lion back in the '80s, when we knew it as Lion Voltron, specifically of the castle that our heroes operated out of since the pilot. That it is also in the region that the historical Roland came from was a welcome bonus, and together it prompted me to change my plan to introduce Roland's home to that location. Yes, the resemblance in form is meant to imply resemblance in function; "fortress-cathedral" will appear in the manuscript for a reason. Other plot elements shifted with that change, making France the focus of the action early on in Book Two, but the minor characters I intended to use there remain.

The mecha designs introduced serve two purposes. The first is the most obvious; the plot requires that they exist. The aforementioned assault requires at least two of them, and may force two more depending on rewrites, simply to satisfy verisimilitude requirements. At least one of them will be a variant of a design in Reavers. The face off of the battleships will feature at least one more new design, teased in Reavers and rolled out here. The second is that the readers expect it, again as a require of that very verisimilitude. As I finish them, I'll be doing lore posts about them; as those get posted, a new tab will be put on the main page to allow for easy navigation to them.

I'm not intending on more starship designs as yet, not as a matter of plot; some will be teased for verisimilitude reasons. Yes, that may change with revision, but the outline I have now doesn't need more new ships as the focus of action. Gabriela's yacht Love Heartgets mentioned in passing, along with its destruction, for the first time in the series here. Count Qis's own yacht is also mentioned in passing.

More than that I can't talk about right now because it's not in a definite form.

Friday, March 29, 2019

The Business: Star Knight In Full Color!

ArtAnon emailed me some colorized versions of the concept art he did for the Star Knight Indiegogo campaign. You folks ought to see them.

Click through to embiggen them to full-size, where you can see them in their fully glory. That beam lance, by the way, gets some screen time in Book Two.

As this post implies, I'm getting close to launching Reavers of the Void soon. No, not next week, but soon. You'll know soon enough when it's time to send all your friends and family to the Amazon listing to buy a copy of a book dedicated to action, romance, and giant robot combat in that old-school Space Opera way that you otherwise have to look to Japan to give you these days.

In the meantime, I again point you to my colleague Rawle Nyanzi and his Shining Tomorrow which needs the support of readers like you. If you're looking for more indie mecha action to hold you over, and you haven't gotten a copy already, then Brian Niemeier's your huckleberry. Get yourself a copy of Combat Frame XSeed today.

Saturday, October 27, 2018

#StarKnight: Book Two Updates

Another brief post.

The plot outline for Book Two is down to the details. Where it starts and ends is decided. The major points along the way are decided. Now it's taking notes on who is where, and what--in Executive Summary/High Concept format--happens at each point. I still have no clue about a title. Mechanical designs, heretofore not mentioned, are also coming along.

One new character being featured in Book Two is one implied by Reavers but not explicitly named: Count Robin, Gabriela's father. His role in the plot comes from his dissatisfaction with the performance of his cousin--Count Qis--to be his agent regarding Gabriela's security. In cutting off Qis from Gabriela, he's prevented Qis from easily tying up the loose end Gabriela is to him, but Count Robin doesn't know that detail yet. All he knows is that the silver-tongued courtier wrote a check with his mouth that his ass didn't cash, and Count Robin is not one to repeat his mistakes.

Qis also knows that the reason for this familial conflict comes from Lord Roland's report to him on the matter, an influence that had to include not only cutting him off from Gabriela, but to conceal her location from all but Robin and Roland due to concerns of retaliation by Red Eyes or his allies. Qis knows that Gabriela is the only witness to his treason; he has to get rid of her, and he can't kill her due to his deal with Azazel, or the entire jig is up. So his plan is to find her and get her out of the way; he has a Last Resort plan, which Count Robin forces him to use, to make this happen but the consequences of that action don't come until Book Three.

And Roland? He figured out that Gabriela has to be important to the mastermind behind Red Eyes's raid on New Edinburgh and Gabriela's abduction, but he doesn't know who that figure is, so he's using this vulnerability to attempt to flush out the identity of that figure. Part of Roland's aims in Book Two are to discover the mastermind's identity; once done, he's got the clout to push Qis's lord to cast him out and the Church to excommunicate him. (When you're one of the twelve greatest living heroes of Galactic Christendom, your name goes a long way.)

Saturday, September 22, 2018

In The Works: Book Two's Aesthetics

Reavers of the Void is a pirate story in frontier territory. Book Two is not; it's a tale of intrigue in the heart of Civilization, albeit no less fast-paced and action-packed. While giant robots and space battleships, singularly and in great numbers, are present the action's scaling down closer to the man-to-man level for much of Book Two; we scale back up for the climax.

Besides, you don't do this sort of thing without taking the time to show off the scenery, and Book Two has some truly fantastic locations:

  • The Court of Stars, based out of Rome. While many affairs regarding the Court can be--and are--done via remote conferencing, the most sensitive matters are only done in person and this time we see that happen. You don't make use of a location with Rome's history and majesty without making time to make the most of those very qualities. As George Lucas showed with his location choices for Naboo, you can expect some furious fights to occur in this ancient capital of Civilization.
  • The Barsoom War College, base on Mars. Located in geostationary orbit over Olympus Mons, tethered by beanstalk to the ground and serving also as a transit hub for the planet, this is the school for Solar Guard officer candidates as well as the graduate school for those career officers looking to make it into the upper ranks and join the Admiralty. As such, experts lecturing on a vast array of applicable subjects (such as military history) can be found here either as faculty or visiting fellows. The orbital museum is the key tourist attraction.
  • Lord Roland's Estate, based on the shores of Lake Mille Lacs in North America (present day Minnesota). This is my backyard (so to speak), and how it went from resort to feudal manor is a long story, and if you've never been to the Minnesota lake country then you don't know the glory of being able to see the horizon on a fresh water lake (and then be surrounded by literally hundreds of other lakes). I spent many weekends and summer vacations here, so you're going to see what this is like when violent men with mecha stomp around it.
  • St. Mayo's Hospital, which is today's Mayo Clinic. In the feudal future, this is a Church holding- specifically held by the Hospitallers. A Very Important Person is kept here in secret, guarded 24/7/365 by the Knights, and the key of the plot revolves around discovering that this location has the VIP and then what happens when the villains move to deal with the VIP.

You can see why you're not going to see giant robots right away, or a lot. But you will see mecha, just smaller mecha. We're looking this time to see more stuff that you'd see out of Armored Trooper VOTOMS, Bubblegum Crisis, Genesis Climber MOSPEADA, Megazone 23, and so on. Maybe as big as Orguss, and the ships we see will likely be the smaller ones until we get to the final act.

Saturday, September 15, 2018

The Business: On To Book Two of #StarKnight

I'm working on the plot outline for Book Two. As Book One was out on the frontier, Book Two is at the heart of Galactic Christendom: Holy Terra (and the solar system).

This is less of a story about fleets and naval action, and more of an intrigue-focused adventure, because we're out to thwart an assassination this time out. The mastermind villain has a loose end to tie up, lest everything get undone, so the loose end needs to die so the plot can go on. Sir Ramsey figured that out, so that loose end is in a safe location; the trick now is to figure out who's trying to kill the secured individual.

Sir Ramsey shows his pro-active practice here, starting the plot with initiating a fake leak. He sends out a rumor, varies the substance several times as he tells several people, and then waits to see which version shows up in the gossip circles. Once he determines who's prone to leaking, he sets up a trap by announcing that the secured individual will appear to testify before the Court of Stars on the recent pirate matter.

The mastermind senses that this is a trap, but cannot afford to ignore the possibility, so a duel of wits begins. Less with the fleets and the giant mecha, more with the smaller mecha, single ships, and running beam sword fights across Rome, Mars, the Moon, and other notable locations.

Friday, September 7, 2018

The Business: Not By Bread Alone

George Lucas figured out that merchandise is where the real money is made when it comes to properties like Star Wars, a fact that made him his fortune. Close to him temporally, but across the Pacific, many of the mecha show/manga people figured this out also and out came wave after wave of model kits, action figures, and other affiliated merchandise so the target audience could spend yet more money on the stuff they liked.

If there is something I find stupid about how mainstream Western SF operates, it is that they somehow don't want to admit that this is true. They routinely leave money on the table that could get them out of debt, secure their households for life, and allow them to do on the regular what Larry Correia has done instead of thinking that it's a Black Swan event.

No, dammit, that's not how it has to be. One of the things I want to do with #StarKnight is show others that you can do this.

Right now, what is within my control is the ability to write and publish novels. The business is not what it was, and that includes things that most mainstream Western SF authors have long forgotten is within their control, such as keeping an ear to the ground for what ancillary merchandise people would want. These days it's not hard to do things like shirts and mugs since you don't have to have them printed before selling them. Posters and wall scrolls are about there, as I recall, but I need to confirm that before I can say so definitively.

Which means that I need to start thinking about branding and branding means logos. This is where you folks come in. Below is a logo that ArtAnon--the individual making the art for #StarKnight and #Xseed--did for me. In-universe, this is the logo of the Solar Guard; if you think this works as a brand logo or no, comment below (and for the love of God, explain why; I'm no mind-reader).

View post on imgur.com

In addition, here's what I'm currently thinking for merch I can do in the short term:

  • Shirts: A shirt replicating what you see in Roland's duty outfit (crest on the breast) with the logo on the back, and maybe a variant going with the battle armor version (may do that on a hooded sweatshirt instead).
  • Posters: Finished cover on a poster for starters. I will gladly add others upon request.
  • Loresite: My own blend of Wookipedia and MAHQ? It's happening as soon as I know there's an audience and I can afford the domain name.

I'll come back to this again in future posts because I think this mindset shift is something else that would greatly change the game; I see that Nick Cole & Jason Anspach as well as Vox Day are already making this shift and I expect the results will be quite something to behold, and I'm not shy in saying that if they blaze a successful trail then we'd be fools not to follow hot on their heels.

Saturday, August 25, 2018

Excerpt From "Reavers of the Void": Aces Face Off

This is it! This is the final day for the Indiegogo campaign, and so here's the final manuscript excerpt. This is from Part 3, during the Battle of Hell's Heart, which is the climax of the novel's story. If this gets you moving, go here and push the project over the line for the Stretch Goal.


Ramsey’s escape from Hell’s Heart quickly reached both sides. On MacBeth, Gabriela sighed with relief as she waited in Duke Ireton’s quarters. Sibley and Creton smiled at each other as they prepared to return to battle in Baden-Powell, and Ireton smiled at Captain Denten as he called for a rearrangement of the fleet’s battle line. On Revenge, Gori took a deep breath at this big change in the battle. Jack recognized the severity of the situation while fending off the four New Roman aces still out to get him, and Zuzu felt a sense of dread at the news.

“Gori!” Zuzu said, “I’m almost dry. I need to come in!”

“Get in if you can and make it fast.” Jack said, “You’re no good out here with just a sword.”

More missiles flew in from far away now, coming straight for the fortress. “They’re reorganizing their battle line.” Gori said, “Battleships, carriers, and heavy cruisers are standing off while their escorts are coming in to assist the mecha. They’re going for a partial englobement.”

“How many more carriers to go?” Jack said, slipping past the ace flight once more and dodging around a rock. Gori looked on the viewscreen. “Three sunk. Three away. That leaves four. We’re going to be pressed hard to hold this fleet back until everyone else is away.”

“We’ve got our ace in the hole.” Zuzu said, now approaching the ventral aft of Revenge as its hangar ramp extended, “He’s come out if it gets that bad.”

As Zuzu approached the battleship, Ramsey in Durendal marked the location of Anakim, Revenge, and Jack’s Black Knight in addition to the massive Goblin horde as well as Revenge’s Hobgoblin squadron. The remaining pirate escorts and carriers then got marked. Ramsey forwarded that data to Baden-Powell, which spread it to the rest of the allied fleet.

“Where’s that Solar Guardsman?” Jack said, finally getting one of those aces with a beam sword through the chest—and cockpit, and powerplant—and destroying it.

Zuzu, taking in some drinks while the technicians on Revenge’s flight deck hurry through rearming, “Gori?”

Gori looked at the viewscreen for a moment. “Oh no!”

Ramsey locked on to Jack’s Black Knight. “Coming to assist, New Romans.” He closed into range for his beam rifle, and quickly fell in for the fallen comrade, needing no time to adjust to the aces’ teamwork. Yet, having superior power, it became apparent to the three aces that Ramsey should take the lead and wordlessly let him assume the front position in their flight. “Skip the launchers!” Gori said, calling down to the bay, “Rockets and the long rifle. GO!”

Zuzu tossed her empties out and closed up the cockpit as the technicians strapped the rocket pods to Anakim’s legs. A few more attached spare magazines to Anakim’s hips, and Zuzu took the long rifle in hand as she again departed Revenge’s hangar.

“I’m on my way!”

“Good!” Jack said, dodging rifle fire from one direction while in hand-to-hand with another and Ramsey circling for another opening, “I’m also running low and need to fall back.”

Anakim’s thrusters went to full burn and rocketed Zuzu to Jack’s location. As she approached, she took aim with the long rifle and fired. One of the other Cataphracts flew behind a rock, but it wasn’t enough. The rifle’s slug penetrated the rock and lodged into the doomed pilot’s powerplant, causing to explode in a brilliant fireball.

“Stay on Black Knight!” Ramsey said, “I’ll take care of this one.”

Ramsey peeled off, beam rifle ready. Zuzu took aim with the rifle and fired, but Ramsey rolled away from the line of fire with aplomb. Zuzu countered by launching her pods at him, forcing Ramsey to shoot them down and giving Zuzu concealment for her next shot. Ramsey rolled away from that one also, and the next, until he got within range for his rifle. Zuzu swapped to Anakim’s beam rifle and the two began darting between rocks and wrecks, attempting to catch the other out of positions for a fatal shot.

Several rocks got blasted to pebbles, and several wrecks got blasted to pieces, as each scored near-hits that would have proven fatal had they come just a moment earlier or later than when they got under cover. Then Zuzu got an opening on Ramsey, but Ramsey rolled off the line and threw power into the thrusters to rush Zuzu; he swapped the rifle for the beam sword, and Zuzu had to toss her rifle away to get Anakim’s out to block in time.

“Not this time!” Ramsey said, grabbing Anakim’s main hand arm with his off-hand and shoving Anakim into a nearby rock. With his sword arm he reversed the blade and brought it down to thrust into Anakim’s neck. Zuzu saw the stroke coming and tried to block the stroke with her off-hand arm, but even with the beam sword’s blade going through that arm it was not enough. The beam burned through the off-hand forearm, through-and-through its armor and structure, and then pierced Anakim at the neck. Zuzu knew Anakim was now doomed and punched out.

“Damn you, Roland!” she yelled as she recovered her bearings. “I’m going in for our trump card. I’m tired of this.”

Ramsey didn’t hesitate to change targets once he saw Zuzu punch out. He grabbed the long rifle off Anakim’s back and took aim at Black Knight. “One shot left, but it’s all I need.”

Ramsey took aim, waited for the other two Cataphracts to get out of the line of fire, and then fired. Jack felt his mecha lurch with the impact, ripping through the back thrusters. That was enough. Unable to maneuver, Jack soon got overwhelmed and had his mecha’s limbs severed one-two, one-two. He took punched out, getting clear just before the New Roman aces finished Black Knight off.

“Withdraw to MacBeth.” Ramsey said to the New Roman aces, “You’ve gotten your revenge.”

“Almost. The battleship remains.”

Saturday, August 18, 2018

Excerpt From "Reavers of the Void": A Suspect Sacrifice

This week's excerpt is from a chapter tenatively titled "Rhythm Emotion", and it occurs after Count Qis petitioned the Court of Stars to come to House Ireton's aide in enacting reprisal against Red Eyes while rescuing Countess Gabriela. If this is the Space Opera you want more of, then go here and back the campaign.


Qis departed from Rome in a diplomatic skycar, flying North to the ancestral homeland of his family in Scandinavia. Landing in Oslo, Norway, he arrived at the family’s home on Earth. The servants welcomed him home. As the footman took his cloak, he addressed the majordomo. “All is as I specified, Robert?”

Robert, an old family retainer, smiled and nodded. “Your meal shall be delivered to your office presently, my lord.” Qis smiled and put a gloved hand on the old man. “Your timing remains impeccable. As soon as I am finished, I am not to be disturbed until I say otherwise.”

“Very good, my lord.” Robert said, and Qis took leave of him and the others. He walked up the stairs and into the secure wing of the house, where he kept his office on Earth, and as he entered the chambers he saw a boy about Creton’s age next to a delivery cart arranging his meal. Qis kept quiet, watching the boy a moment execute his duty, making note of the lad’s eagerness to ensure he did exactly as told. Only when the boy turned around to leave did he notice Qis standing there.

“My lord!” he said, quickly bowing as expected of a child of his station, “Your meal is ready.”

Qis smirked at him. “I see. Hold a moment, lad.”

Qis took his seat at the table prepared. He looked over the food and drink arrayed, a modest plate of fresh fruit next to a warm sandwich, a bowl of soup, and a cup of tea. He then waived the boy over.

“You’re far too nervous, my boy, and such nerves ruins a lad’s character quickly.” Qis said as he handed the boy the cup, “By my permission, have some tea. It will calm you.”

The boy bowed and took the cup. “Thank you, my lord.” he said, and took a long sip. The boy handed the cup back, and a moment passed.

“Better?” Qis looked on, as if expecting something.

The boy’s eyes went wide in surprise, and his chested seized up. Then he collapsed, looking upon Qis with an arm outstretched. Qis took it, and went down on one knee.

“I will punish those who did this, my boy.” Qis said as the boy shook, “Your death is not in vain.”

Moments later, the serving boy went limp and Qis keyed into the comlink. “Robert, another attempted averted. Arrange for the boy’s funeral. Pay out from the household budget.”

“Do we have a suspect, my lord?”

“There will be soon enough, Robert. I shall test the rest presently, just in case. For now, brew some coffee and bring it up. It’s going to be a long night.”

“Very good, my lord.”

Qis looked into the eyes of the murdered innocent serving boy. “You are one more sacrifice I make for what Mankind requires: the unity of a King of Kings, all speaking the same tongue that speaks the same creed- the creed of Babylon.”